Andrew Finch

I made this movie about a guy who gets stuck on Mars. It was hard to make, but people on r/Space seem to like it.

Me and my friend Greg made “state of the art” motion picture film emulation and optical diffusion emulation tools for DaVinci Resolve.

Sometimes I shoot commercials and narrative shorts.

Dual-sensor cinema camera for capturing RGB and 1000nm infrared image data simultaneously with a single lens, and a color pipeline for fusing “RGBI” data into a full color image with a very unique photometric response. (Especially useful for movies set on the moon.)

I used to do VFX supervising, compositing, and CGI for music videos, commercials, and narrative shorts. I put John Cena on the Titanic and cut Doja Cat in half and then said to myself “My work here is done”.

I used to color grade commercials, comedy specials, docs, and narrative things.

I want to make this hyper-simple all-manual square-format digital camera with Filmbox integration and infrared capabilities, and maybe also improve on digital photo frames. But apparently it’s not easy to bring complex consumer electronics to market.

Part camera test, part spy thriller? It’s almost done, it just needs a CG moose.

I took a lot of piano lessons. This recording from 2007 is all I have to show.